I think the app is a game changer for on-set post and dailies delivery for high end productions.įor high end feature film and stock footage workflows, Primaries Exporter is a godsend as it allows you to easily take advantage of the advanced metadata capabilities in FCPX to allow you to deliver extremely high quality dailies and exports based on the metadata you’ve entered in your events. Congratulations and many thanks to Thomas for putting in the time to fill this need. Next thing we knew… we were beta testing an app that solved all of our problems.
You can find all of the info about it on this fcp.co report.Īnyway, this app largely came about because Mike Matzdorff and I reached out to Thomas Szabo after he’d updated an app that many of you know called Clip Exporter which fixed FCPX users’ After Effects workflow issues and asked him, “Clip Exporter already kind of does batch export… but it’s not exactly what we need for dailies… is there any way you can make an app that takes advantage of FCPX’s metadata capabilities to easily turn around dailies in batches from the timeline… and can it do thumbnails and make spreadsheets?” The truth is that multicam clips are a far more powerful and flexible way of putting your clips together… and because the FCPX XML has improved so much, and multicam clips now transfer easily to places like Resolve, in my opinion there isn’t much of a reason for synchronized clips anymore outside of Timecode based workflows like Sync N Link.Īnyway, if you’re into this kind of thing… just wait til you see what we have planned in the FCPWORKS Suite at NAB this year:Īs many of you guys know… a really cool app called Primaries Exporter got released a week or two ago that solved a MAJOR issue FCPX users have been facing… the lack of batch exporting.
#SHOW ADVANCED TOOLS IMOVIE 10.1.4 HOW TO#
Also, if you’re curious about how to do that quickly, here’s a blast from the past tutorial from a couple years ago I did on Batch Renaming and Advanced Multicam sync that should give you a really good sense of the best ways to prep your multicam clips: You’re going to have all kinds of problems doing that unless you make a multicam clip instead, and spread your audio out across multiple angle.
This can happen occasionally… especially in music video or if your sound guy screws up and exports microphones as individual files instead of a single multichannel WAV file (as you’ll see in the tutorial example). New secret sauce all about whether you should be using synchronized or multicam clips in your workflows (I’ll spoil it – use multicam)… especially when it comes to trying to sync multiple audio sources to the same video clip.
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